As a result, the number of female artists began to grow rapidly and more Feminist adepts followed the steps of the XX century artists, for example: Sonia Delauney, Natalia Gontcharova, Frida Kahlo, Tamara Lempicka, Georgia O’Keeffe, Barbara Kruger, Louise Bourgeoise, and others. The XX century started the real revolution of women artists along with important changes in socio-political structures of Western societies. Regardless of all these symbolic attributes, the female art, except for some rare cases, was not recognized as important enough to mention before the 1960-1970s. In other cultures, women were seen as muses, ideals of beauty, virtues, artistic inspirations, cunning, and fertility. In some cultures, women were considered the source of “Demonic” powers, such as seduction, temptation, sex, symbol of inconstancy, unfaithfulness, and weakness. These representations differ from one culture to another. In each phase of human development, a woman’s body went through different stages of symbolic representations of negative and positive aspects of the so-called civilized world. In the history of art, women have always been presented in many forms of artistic creativity, basically as models of symbolic artistic inspiration, beginning as early as the Paleolithic period with the sculpture of the Venus of Willendorf, dated approximately at 28 000 – 25 000 BC.
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